While rooted in her Sámi heritage, Sara’s work does not seek to directly represent cultural symbols. Instead, it carries traces of history through its material language: through layering, weaving, and the physical resistance of the medium. The paintings become spaces where presence and absence, control and chance, exist simultaneously. Each work functions as a threshold — between memory and forgetting, surface and depth – inviting viewers into a perceptual experience rather than a fixed narrative. Sara’s practice centers on process, materiality, and the subtle dialogue between gesture, time, and transformation.